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It was like the studio was calling for a mulligan after hitting a hole-in-one. Worst of all is that “The Amazing Spider-Man” never cops to the fact that virtually everyone in its target audience had already seen it a few years prior, when it was less amazing but much better. Now think of how many of them tried to attack the hero by climbing through the toilet of a high school bathroom.

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Think of all the great bad guys in movie history. Awkward but never vulnerable, this Spidey is a brooding genius with a mysterious past even before he gets bitten by a bland CG arachnid, so it’s real tough to buy him as the local dweeb, and borderline impossible to care about him as the neighborhood vigilante.ĭon’t even get me started on the movie’s plastic glow-pop aesthetic, or its weightless CG action, or the fact that its villain looks like he was cut from the “Super Mario Brothers” movie for looking too stupid.

“The Amazing Spider-Man” (2012)Īs limp and lifeless as the Coldplay song that it uses to score a flirtatious early scene between Peter Parker (a miscast Andrew Garfield) and Gwen Stacy (Emma Stone), Webb’s take on such time-honored material is safe to the point of sterility.

READ MORE: How “Spider-Man: Homecoming” Will Save Sony’s Summer And Launch Several A-List Careers 5. How did anyone let Electro happen? Who convinced these people that shoehorning Harry Osborn into the story would steer it in the right direction? Why is the great Sarah Gadon playing a building? Did we all die when Peter Parker said that he does “web designs,” making the last three years of life on Earth a collective hallucination like in “Jacob’s Ladder?” And seriously how did anyone let Electro happen?Ī classic case of terrible food and such small portions, the worst part of sitting through “The Amazing Spider-Man 2” might be that the Herculean effort is all for naught in an unprecedented moment of Hollywood cruelty, the movie ends with the promise of a sequel in which a demented Paul Giamatti will terrorize Manhattan from inside a giant mechanical rhinoceros. There are still so many unanswered questions. “The Amazing Spider-Man 2” (2014)ĭirector Marc Webb wastes little time exhuming the most tiresome elements of his previous installment, reasserting his preference for mythology over character with a profoundly unexciting plane crash sequence that serves as a metaphor for the rest of the movie to come.Īn 150-minute parade of bad decisions, “The Amazing Spider-Man 2” is a masterpiece of missteps, the “Singin’ in the Rain” of tripping over itself. Here they are, ranked in order from worst to best. “Spiderman: Homecoming” marks the sixth dedicated Spider-Man movie since 2002, and it’s a fascinating next step for a superhero whose movies have represented the highest highs - and the lowest lows - of his genre.

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Michael Keaton Has Never Finished a Marvel or DC Movie: 'I Have Other Sh*t to Do'Įmmy Predictions: Outstanding Lead Actor in a Limited or Anthology Series or Movieġ0 LGBTQ Film and TV Creators on the Rise, from Jerrod Carmichael to Isabel Sandoval After all, what is Peter Parker if not a kid who’s trying to figure out who he is, who he needs to be, and how he’s supposed to fulfill the expectations placed upon him? And while that has made for some frustrating stops and starts along the way (and three different Spider-Men in the span of 14 years), it almost works to the character’s advantage.

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Whenever Spidey’s web has started to sag under its own weight, the studios have felt free to just wipe the slate clean and start from scratch. Of course, the smallness of his character has a tendency to clash with the Hollywood ethos that bigger is better. It’s nice to guard the galaxy, but somebody has to keep an eye on Queens. Spider-Man is a friendly neighborhood hero in an age of foreboding cinematic universes.

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